Showing posts with label Agents. Show all posts
Showing posts with label Agents. Show all posts

Old Spice Ad Parody, and the State of Publishing


Love this parody of the Old Spice Man library vid. I saw it a while back and forgot to put it up, but it's on the blog of amazing agent Nathan Bransford today, so get over there to see the other vid too, as well as Nathan's take on the current state of publishing, then hop back here and leave a comment. I'm not a nut. I know you'll leave a comment there first. He's an agent, after all. Go on. Scarper! 

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In the Agent's Office, Nobody Can Hear You Scream.


For me, it won't be the agent's office because I don't want to be published by someone else. What's an agent going to do? Negotiate with me on my own behalf? Wouldn't work. Publishers are still approaching by the way, and very confused when I turn them down. Increasingly, with tech nightmares and so forth, I think I'm an idiot to try to do this alone, but I'm going to and that's all there is to it.


Anyway, leaving my own situation aside for a second, regardless of your route to publication, there will be a day when nobody can hold your hand. Maybe it's the first time you receive a rejection. Nobody is in the house. It's just you and the agent/editor/publisher's sub-sub-sub-sub assistant. How do you handle that? Let's, for fun, imagine the electricity has gone out and your phone doesn't work. You can't access any of us. You're on your own. How do you cope when you don't have back-up?


My scenario's easy to work out. I've put myself in a trickier than necessary situation because I so want to publish myself, but for you it might be the opposite. Maybe you struck a deal with an agent, who struck a deal with a publisher. Maybe wine was quaffed and plans were made. Maybe, now, the publisher can't live up to their end of the deal due to the climate. Maybe they're not returning your calls, or you're being handed around to different editors. Maybe the new editor doesn't feel the same way about your work. You're going through the motions. The buzz has buzzed off. Maybe you need to put yourself into a difficult situation. Maybe you need to leave. When you have to make a tough choice, that may not make immediate sense to others, it's only you and yourself who can decide. When you're all alone, with only yourself for back-up, what do you do?
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Is This the Worst Time to Be Unpublished?

First of all, thanks so much to everyone for the support today. It's no fun at all when you receive a rejection letter and even though Jamie Ford (NY Times Bestseller) sent me a lovely note telling me that there's nothing wrong with a few rejections, it's still an occasion that calls for extra sugar in the tea and a mild hissy fit at not being able to afford chocolate.

The important thing when your work is rejected is to be analytical; evaluate whether you could have done anything to improve your chances or not, and work out how to vary your strategy next time.

I was fortunate enough to meet someone who's been rejected by this particular agency and gone on to be published elsewhere. He told me to pay very close attention to their wording if they rejected me as they are good at pointing out exactly where writers have gone wrong.

They said nothing negative about my writing. They described it as 'fluent and easy to read' and went on to explain that the marketplace has become very tough and they lack the confidence to take me on in this marketplace. Basically: 'there's a recession; you're unpublished; we don't want to take a gamble.'

I've noticed that this is happening to quite a number of new writers at the moment and it's understandable. I'm not cross with this agent for not taking a chance on my writing, I'm just frustrated. If they'd told me that the characters weren't strong enough or the writing jarred I would have something to work with. This isn't something I can edit my way out of.

Everyone's going through this at the moment. Companies are closing and qualified people are unemployed. Why should the creative industries be any different?

Our writing can't just be 'good enough' or even 'fluent and easy to read' any more. It must be extraordinary. It must be the equivalent of the Family Guy episode that screened in England last night - The King and I with robots and strippers. If it's not completely different then it won't get noticed. If it is completely different, however, doesn't that also make it a risk?

I suppose I'm asking two questions:

1/how do agents/publishers make the right choices in the current market so that their own businesses don't go under?

2/how are we, as writers, supposed to handle these choices?
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From Agent to Bin

Rejection letter. One glimmer of goodness however, they said:

'Your writing is fluent and easy to read'

Please send comments. I'm sad. :(
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Cheeky, Chirpy and Slightly Bad

I've been a bit naughty today.

  1. I did no work
  2. I've spent most of the day exchanging cheeky banter with publishers and journalists

Can't help it. It just happened. There's a feeling that I should be in some kind of well-behaved hibernation while I await the decision of the agent but I'm rebelling. For one thing, the agent in question is lovely so I'm fairly sure - regardless of their eventual decision over my writing career - they wouldn't want me to stop living for the next 5+ weeks. For another thing,the publishers and journalists are lovely too and I like having little chats with them. They know lots about the things I love and are great chat-ologists. Why do I feel guilty?

I think there's a deeply felt concept that agents, publishers and others in positions of authority are either out to get writers or are simply unapproachable but is this true? Probably not. Authors are supposed to fall into the same category and yet today I received a very lovely email from one of my favourite authors, Joanna Trollope.

It's a contentious suggestion but maybe they're all just people too. What do you think?


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The Holding Pattern

This is the sucky bit. The first three chapters of my manuscript are with an agent. I must wait.

Back in the day, agents were used to being approached on an exclusive basis but this is no longer the rule. That said, I have approached this agent on an exclusive basis. They don't know that but I doubt it would give me much of an advantage even if they did. What I need to decide is whether to leave my book with them for six weeks before approaching another agent or whether I should just get to work sending parcels to agents every week or so. Any thoughts?

If I were to take this approach, it would probably make sense to send out three submissions every couple of weeks. Small problem: I can't afford the postage.

Operation Sh*tstorm Returns

The need to get a publishing deal is huge. This is the main factor in my wanting to send out work to as many agents as possible.

The full-time job that Mr W was offered still hasn't started. Meanwhile, he's had to give up part-time work elsewhere because the council fined us for it (the work was all above board. He told them about it in advance.) He earned a little over £30 and they fined us £90 for it which has to come out of our budget every week! Our housing and council tax benefits have also been reduced. The upshot of this is that we now have enough coming in to pay for rent, insurance, lighting and council tax but no money for food, heating or anything else.

'Heating?' I hear you say 'but it's June.' Well, yes it is but the heating - as long-time readers of the blog will know - emanates from an oil-filled tank behind the house. This oil is responsible for heating everything - including the water. No oil: no hot water. If you click on 'Operation Sh*tstorm' you can follow the drama so far on this front.

The oil monitor has only two bars left. The cost of oil has gone up. The cost of a minimum drop of oil will be about the same as a month's rent. Can't be done.

In all likelihood, we won't be able to buy any food this month but my stockpiled rice is doing well and we have many peas. Hubby has made some chicken stock too so we won't starve. Calories are surprisingly easy to come by. Sugar's cheap. It's entirely possible to maintain your weight on not much money and we're both well-cushioned enough to sustain a drought. Starvation's not a worry. The worry is malnutrition. We're almost definitely both suffering vitamin and mineral deficiencies and we can't afford multi-vitamins. There's hardly any iron in our diet for instance.

Right. I'm going to stop talking about that before I get depressed. The point is: the money I spend on postage, paper, ink etc should be going towards food and oil. It comes straight out of our food budget. It's a huge gamble. It feels so arrogant and selfish of me to think that I can somehow work us out of this poverty with my writing. How the heck do I know whether it's any good? It just seems like the only option. How did J K Rowling afford to sit in a coffee shop all day writing? I'm a million miles from being able to spend money on something as frivolous as going out for coffee.

Could be Worse...

Thank goodness we moved house. The last place we lived in was fire damaged, had wood worm and there was a black bucket at the end of the bath which supplied the water. The place was constantly damp and generally falling to bits. The place we moved to had no carpets or curtains but it's gorgeous. It's really hard to believe how poor we are when you walk round this place! It was pretty easy to believe at the start as we couldn't afford carpets and I had to make curtains. Since we couldn't afford proper fabric, the curtains I made were not impressive. Eventually, we resolved our floor and window issues with the help of some astounding bargaining tactics and lots of free carpet fitting thanks to my husband's step-dad. Now it's amazing.

Back to the point. Given our financial constraints and the long cold-bath summer which stretches ahead of us before the onset of another hypothermic winter: should I send chapters to other agents or just wait?
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Only Two Days and a Few Hours!

I'm starting to wish I hadn't made this deadline public. Had to really though didn't I? It helps to know there is a literary mob waiting to beat me up verbally if I don't stick to the plan :)

Am I going to make it? Of course. I'll make the deadline because I always do. Never quite sure how it happens but it does. The question is: will I make it?

A number of publishers have been jolly nice to me of late and that's surely no bad thing but it's not necessarily more than a pleasant thing either. If my work isn't up to standard then no amount of friendly chat will save it from the bin.

Is it? My work, I mean, Is it good enough?



The Hoops

So far I've jumped through the following hoops:

1/ Learnt English

2/ Had car accident, fallen into coma, emerged from coma unable to speak

3/ Learnt English again

4/ Got Degree in English

5/ Did lots of research about publishing and novel writing

6/ Written novel

6/ Written sequel

7/ Set up online presence

8/ Built up following of writers, readers, publishers, agents, editors and other media people and a couple of celebrities

9/ Got feedback on my writing from best selling authors

10/ Edited both books. Re-edited first book.

11/ Got agent.

Ha! Fooled you! Didn't get to point 11 yet. This is the bit I'm scared about. The rest of it was in my control but the next bit is not. It's a big, black hole of potential disappointment.

Over the last year, I've taken to reading a few novels by authors doing very well in the 'contemporary commercial women's fiction' category - which is where I think my two books would fall. Some of their work has been great but on more than one occasion I've stared at a page for many minutes, unable to go on, thinking:

'What? That's not right! How on earth did they manage to get THAT published?'

There is one book in particular that sold incontinently well and I could not get past the first chapter for months because of one horrible sentence. It was just ghastly. I'd love to quote it in all its ghastliness as I'm sure you'd agree but it wouldn't be fair to the author so I won't. The thing is that I know this author would have no problem churning out this substandard level of text for huge sums of money for the rest of their life. Maybe their own sense of pride in their work will cause them to improve but even if that doesn't happen, publishers will be happy to continue publishing them.

That isn't something I'd want. I want to be REALLY good. My dream is to find an agent and publisher that take me on because they believe in my work but they won't let me submit anything sub-standard. Even when it becomes really sale-able I wouldn't want someone 'blowing smoke up my ass' as I think you say in America. I desperately want to find a group of people I can work with to get the best possible work published as commercially as possible. Will it happen though? Have I done enough to help it to happen?

The last few years have been intolerably hard for many reasons and it has been a real work of determination to get these books written. There have been times when we've gone without food or without warmth so that we could afford the electricity for me to get words on a screen or the ink to get words on paper. My husband has put as much into these books as I have. Maybe that's why I'm freaking out a bit at the moment. If I don't get published, I'm not the only person I am letting down.

Part of me thinks that I have done as much as I possibly can to give my work the best chance of success but another part of me wonders if that could ever be the case. Is there something I missed? What else needs to happen before Monday to help my words onto the bookshelves at Waterstones?


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The Village Alchemist By Rebecca Woodhead

Molly Smithson had always been a tuning fork for gossip, with every newsworthy whisper that reached her environs tuned to the perfect pitch for the next recipient. Of late, Molly had refined this craft with such expertise that she had graduated from tuning fork to Gossip Alchemist.


As Molly strode to the village shop, down narrow streets that wound between the cottages of Uppish-On-The-Wold, she pounced with panther-like stealth on all her fellow villagers to devour the latest news. Although they all complained about her nosiness, the twinkly blue eyes that peered out from behind dark lashes had a way of pulling news out of them. Specks of gossip flew towards Molly like metal filings to a magnet and, in no time at all, she had smelted them down and turned them into pure gossip gold.

On a sunny morning in early June, Molly was in the queue at the shop counter. Her basket was packed with biscuits, milk, cake and other tea-related paraphernalia for a gossip she had planned with Hetty Barboury-Bassett from the next village. Molly could not be doing with loose leaves and teapots but she had made sure to pick up the Earl Grey and Darjeeling tea bags. She did not want ‘Posh Hetty’ to think she only drank ‘builder’s tea.' Just as she was counting out her pennies, ready to move to the front of the queue, she overheard two people near the Cornish Pasty and sausage roll fridge whispering. She pricked up her ears.

‘No Gerald,’ said a female voice, ‘she won’t be able to stop here long enough. William and Harry are at the Royal South West on Saturday. They’ll need to get home.’

Molly gasped. The Royal South West was a huge country show. She knew Zara, the cousin of the royal brothers, had competed there in the past and the two princes were known to attend almost every year. It couldn’t be true, but it must. Princes William and Harry were coming to the duck race on Saturday before they went to the show. Just as Molly thought she could not be more excited, she remembered another part of the conversation. There was a ‘she’ in the sentence that had been whispered with such reverence. Who could it be but...

‘The Queen!’ Molly blurted as she reached the counter.

‘Pardon?’ asked the shopkeeper.

Molly looked around. The two others had left.

‘You’ll never believe it Mr Stafford. Something amazing is happening this weekend.’

‘The duck race? Well, it’s nice and all but it happens every year Love.’

‘Yes it does. It does. That’s why she is honouring us with her presence no doubt. The duck race is important to the community. It is a symbol of all it means to be British.’

‘Well, now, you’re pushing it there. It’s some plastic ducks and a stream. It’s for the kiddies.’

‘Yes it is. It’s for the kiddies, as you say. It’s our way of sharing the village with the next generation and that’s why the village is now so important to the people at the top of the country.’

‘People at the top? What are you blathering about now Molly? You mean the politicians? Do you not watch the news? My Council Tax is a blooming scandal. Why would they care about a duck race?’

Molly sighed with impatience. Usually she had a bit of time to spin an elegant tale and she felt the gilt was wearing off her golden gossip.

‘Not the politicians Mr S. The Queen.’

‘What?’ Mr Stafford looked rattled. ‘This weekend?’

‘The very same.’ Molly smiled as her gossip hit the bullseye.

‘But why? Who said?’

‘It’s very hush-hush. I heard it from a reliable source. It is being whispered that both the princes will be here too: William and Harry!’

‘The young princes? In Uppish-on-the-Wold? Would they come into the shop do you think?’

‘They might. In fact, they will. We should have a big party. I’ll organise it.’

No sooner had Molly left the shop than Mr Stafford had the ‘back in five minutes’ sign up on the door as he searched through the old boxes in his storeroom for the strings of bunting he had saved from the Queen’s Silver Jubilee in 1977. They’d enjoyed a brief dusting off for the village Millenium party but this time he planned to give the bunting a really good clean. The Queen was coming to Uppish-on-the-Wold.

Mr Stafford walked through to the shop and looked at the wall behind the counter. He would move the health and safety notice and the poster urging people to buy local sausages. That would make space for a huge photo of him, the Queen and a bunting-bedecked Uppish Stores.

By the time Molly had returned to her cottage, she had already told three more villagers about the imminent arrival of their monarch. Donna Warren had a friend who was a florist. She would almost certainly provide them with some flowers and Donna’s own garden was brimming full of roses and sweet peas she could pick and bring into the street to decorate the post box and lamp posts. Hannah Burlington had already offered to bake cakes for Duck Race Day – there was no harm in her baking a few more. Mr Finch offered to bring Humbug – his old black and white cob – down from the farm. He’d throw a harness on him and polish up the old trap.

‘Her Majesty could go for a ride down the street in the trap if she wanted. It’s no Cinderella carriage but it’s good for a laugh.’

‘Absolutely,’ Molly agreed. ‘Of course both William and Harry will be here and they might want to, even if the Queen decides not to. Bring Humbug along Mr Finch.’

Duck Race Day finally arrived. The bridge over the stream where the race was to take place was covered in beautiful flowers from Donna’s garden. Her florist friend had brought in boxes and boxes of flowers which decorated everything from the telephone box to Uppish Stores. Bunting flapped joyously between the lamp posts and all along the main street, trestle tables covered with paper tablecloths were laden with cakes, homemade jams and yellow marzipan ducks. She had even invited Hetty Barboury-Bassett and her friends. She was going to be the talk of the villages for months.

Molly liked to think that she had organised the whole thing but secretly she knew that the moment word got around that the Queen and Princes William and Harry were coming to the village nothing would have stopped them putting together the best party in the county.

Lady Amsptonford was due to open Duck Race Day at ten o’ clock. Molly was desperate to see whether the Queen would be with her or not. As the Bentley approached, Molly could see only one other passenger in the back seat. The princes were certainly not there and she could not make out whether the person in the back was the Queen as she was almost completely obscured from sight by a large box on her lap.

The village was poised for their royal guest and, despite appearances to the contrary as the car parked, Mr Finch stroked Humbug’s neck in anticipation of what could be the horse’s greatest moment. The local television and radio crews positioned themselves for the big news story. Molly had been certain they would want to capture the moment so she had called them. She nodded to the school band who began to play ‘God Save the Queen’ as the rear door opened. With all cameras pointing at her, the visitor emerged from the car. It was not the Queen.

Once Lady Amsptonford had made her speech on the bridge and complimented the villagers on the outstanding displays of food and flowers, she introduced her guest.

‘It is with great excitement that I introduce a surprise guest today. Mrs Highfield is, as some of you may know, a prize-winning breeder of Aylesbury ducks and we are very grateful to her for bringing with her two of her finest to compete today. They can’t stay for long as they need to get ready for their competition at the Royal South West this afternoon but I’m sure you’ll all give a warm welcome to... William and Harry!’

Molly wanted to disappear. She felt sure that the whole village would turn on her for her mistake but instead they just laughed. Hetty patted her on the back ‘daft old mare’ she said to her friend. ‘Come on, let’s race ducks’ and they threw their plastic ducks into the stream along with all the others.

In the end, Harry and William didn’t want to race. They were quite content bobbing around and quacking at the locals. Humbug was happy to ferry giggling children up and down the village, and the cakes and jams all sold out. Everyone agreed it was the best Duck Race Day ever.


When Molly next went into Uppish Stores, she couldn’t help but grin as she saw the photo behind the counter. Mr Stafford smiling proudly in front of his bunting-covered shop with William under one arm and Harry under the other.


©Rebecca Woodhead 2009

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First Ebury Publishing and Now Bloomsbury - The Publishers Sending me Pressies in the Post this Week

I assumed that the first time a full manuscript-sized envelope dropped through my door from a publisher it would be the manuscript of my debut novel with an 'unfortunately' letter enclosed. Not so. First, Dim Wit fell through my door from Ebury Publishing and now I await the arrival from Bloomsbury of The Guernsey Literary and Potato Peel Pie Society.

Seriously folks, get on Twitter if you want some free goodies.

Get Involved with Publishing

Obviously, I'd love you all to be telling people about my writing and blogs but I'm not the only writer on the face of the planet and we're in a recession so it's only good publishing karma to help out the authors already in print isn't it? If they do well, the publishers will do well and if the publishers do well they'll be more likely to take a punt on new writers.

The Plan

Let's harness the power of our own little networks to see how much we can move things along. It's good practice for when we all get published ourselves after all. It's all well and good for us to be navel-gazing and pondering endlessly on our would-be-author status but the fact of the matter is that some of us will be published soon *shock!* and when that happens, we'll need to know what to do next. Part of that is the business side of publishing - marketing and what-not - so let's have a go at it!

If you look at my previous post, you'll see I've started to promote Dim Wit using the hashtag #dimwit on Twitter. The people at Ebury Publishing have already put a link to that post here on the blog.

Help Yourself

This is the point where I appeal to your inner 'but-it's-a-recession-why-should-I-help-anyone-else?' brat. If you're not feeling charitable, have a moment of self-interest. They are publishers. They will be keeping an eye on how various marketing strategies are working. If, when they search for #dimwit your name comes up as a retweeter of a book they publish then maybe they'll check you out. Worth a tweet on the off chance eh?

When I've read the book from Bloomsbury, I'll put up a review and we can all do our best to spread the word. In the meantime, if you're on twitter, look up #dimwit and get retweeting. I'll put up some shorter quotes so retweeting's easier. If you're not on twitter, cut and paste the quotes from the left column and put them on your blogs and social networking sites.

All we need to do is start a bit of online chat - not tough is it? Also, don't forget Jamie (Ford.) Hotel on the Corner of Bitter and Sweet is a stupendous book and I'm loving every page of it. Jamie's already on the New York Times Best-Sellers List and published in new countries every week but still there's no publishing deal in England. We've got to turn this around. It's great that Toad sent me a copy of the book from America but I want to see it in my local bookshop and think 'that's my chum's book. Isn't it pretty?' Let's see how much of an international ripple we can create for all these authors then - when it's the turn of one of us - we'll know what we're up to.

Happy chatting!

Rebecca


Rebecca Woodhead

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How Prepared are Writers for Success?

Life in the Big Ocean

As an Author-in-Waiting the thing I am most often warned to prepare for is rejection. Every writing book or magazine maps out the hugely competitive ocean that you venture into when contemplating a swim in the waters of the fiction novel.


Evidently, agents are out to get you and publishers plan to humiliate you. It seems that everyone is looking for a reason to say 'no.' They are the sharks and you are the lowest possible bottom-feeding scum.

Logically, I know this is B.S. as the entire system is dependent upon the scum at the bottom of the food chain. Immortality of a kind may be obtainable in print but taxes aren't the only inevitable consequence of life. Sooner or later, old authors must shuffle off elsewhere and whilst a cash cow can bring in healthy numbers and column inches, a dead parrot can't attend book signings. Sooner or later, the sharks must look lower in the food chain for their next meal.

This brings me to the point of my argument. Eventually, they'll reach you. Eventually - with a bit of luck and a following wind - you'll be looking into the eyes of the sharks and weighing up their offers. This is where the story finishes right? You get a deal and it's 'happy ever after?' I'm not so sure. In my experience, failure is easy. The tricky thing in life is success.

Evolution

When you evolve from a 'would be' to an 'is,' things change. Expectations and deadlines must be met. Your ability to determine your next move becomes a thing of the past. As an Author-in-Waiting, you can dream the dream but as an Author, you must live it. The real world is never as fluid as the imaginary one. Just as there are unlimited possibilities for a story when you first start to type but the options are few when it comes to your final edit, so your options when starting on the journey towards publication stretch out before you like a never-ending red carpet but once you've been fished out of the ocean, you can only be served up to the public in a finite number of ways.

Dish of the Day

The general guidance is that you must become a brand. Your particular style of writing must be labeled. Once attached to your own name, this style is the one in which you must continue to write. You are branded 'literary', 'commercial', 'chick lit novelist', 'crime novelist' etc and that is where you must stay. There are exceptions to the rule but they are relatively few. The sharks want their brands and you must become one.

Welcome to the Goldfish Bowl

You want fame? Really? Why? Personally, I want to be successful. I'd love my work to be enjoyed and maybe even admired but the only fame I want is for my work not myself.

Of course, it doesn't work that way. People are interested in the people behind the books. They want to know how much of the work has come from your imagination and how much is the bubble-and-squeak leftovers of your own existence. They want to be able to say:

'You know Mr X in that novel? That was based on Mr Z from down the road.'

The idea that writing is a creative endeavour suddenly disappears once you are published. Fiction fails to exist. Everything is autobiography. Hunger for the 'real' back-story means your personal life is up for grabs. Bye bye anonymity.

Steps to Success

You can't fight all this. It's a business. It's a machine. Without the publicity, the books won't sell. Without the sales, the publishers won't survive. Without the publishers, we all have to work much harder by going the self-published route.

I can't change it, but I can prepare for it. I've thought through my good and bad points; worked out the markets on which I'm best placed to focus, and put aside pennies for an outfit for my first interview. When success and I finally meet, I'll be as prepared as I can for the next step. Will you?
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Help for Fellow Writers

My Compromise

Right - since I'm still trying to get the old bod back to peak fitness, I'm trying not to get too involved with writing and take a bit of a break but... I can't help myself! I'm obsessed. Given that the writing addiction won't leave me, I've set myself a slightly easier restriction to stick to. For a few days/weeks ('weeks'?? who am I kidding?), I'm not going to guest blog or write any articles or even write any of my new novel (might edit my second one a bit though... no? Fine. No editing. Humph.) Instead, I'm going to help other writers out. I'm nice like that.

Jamie Ford - 'Hotel on the Corner of Bitter and Sweet'

Right, first things first. Followers of the blog will know that my new online chum is Jamie Ford. As he has been so sweet in shamelessly promoting my author blog - http://rebeccawoodhead.blogspot.com - it's only fair that I do some shameless promoting in return. Here it is. Buy his book.

The Tricky Scenario

Followers will be aware of the current minimalist appearance of my bank balance. Very Zen. Anyhow, with hubby's redundancy and what-not bringing down the income further, it is a sad fact that books have become a luxury. The local library is now my best chum. Put simply: if it ain't there, I can't read it. Here's the problem. Jamie's debut novel is not in my local library. Why? Not published in England yet.

This puts me in the tricky position of promoting a book I have yet to read.

The Cunning Plan

My following is almost exclusively American. YOU can read it and report back. What do you say? If you are English, buy it from Amazon and tell everyone you know about it so it gets published over here super-quick and I can get it out of the library and say:

'I was right - work of genius.'

My guess is that it's a great book because:

  1. It's on the New York Times Best Seller List
  2. Everyone else says it's a great book

Don't forget; this is Jamie's debut novel so he's effectively almost still one of us. He is just opening the glittery door into the world of fame and ushering one foot out, but his other foot is still in the gutter with the rest of us. It is our job to assist him in freeing that foot from its ordinary status and promoting it to greatness so that we can stare at it - all glittery and star-like and say 'we knew that foot when it was ordinary.'

I've officially dropped into the realms of mentalism. Forgive me. He's probably got it all sewn up anyhow but it's nice to help isn't it?

Help for Following Fellows

Since the majority of my followers are authors or authors-to-be, here are a couple of places you may find useful in your quest to further your writing and meet other writer-people.

The first came to me from 'Moolisa.'

Authonomy

Basically, this is the HarperCollins slush pile in Brechtian format - the mechanics all laid open for you to see. From what I can gather, your work is assessed by your peers and once HarperCollins see there's a market for it, they snap you up. That's the theory anyway. In practice, depending on the writer you speak to, it is either the best thing in the known universe or a giant time and energy-sapping nightmare. I've dunked my toes into the water but not jumped yet. The water seems warm and I'm intrigued. If anyone wants to leap in and tell me to grab my swimming cozzie go ahead, I'm all ears.

goodreads.com

Thanks to Brian for this one. I only went on there for the first time today and I'm already a fan. Essentially it's social networking for readers/writers. You put up books you've read/are reading and rate them; other people comment on your ratings; you put up lists of books you hope to read; readers recommend books to each other... You get the idea. You can also upload your own stories and have them reviewed. Think that might be of interest to some of the writers on here.

Incidentally, Jamie Ford's on there. If nothing else, click 'fan' when you find him. :)

I like the privacy policy. The main reason I have nothing to do with Facebook is that their privacy policy is the work of some evil troll but goodreads' reads good. Give it a go.

Rebecca


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Best Selling Author Jamie Ford Plugs my Writing Blog! (http://rebeccawoodhead.blogspot.com)

Gobsmacked! I've been plugged by a real published author - not only that, he's a best seller - touch me! :)


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Result!

An exciting day is upon us. My first rejection arrived this morning. I am finally a 'real' writer.

I get the feeling I should have dissolved into a puddle of tears by now but I am happy to report there is not even the start of a sniffle. Perhaps my months and years of 'preparing for the rejection of my work' have actually - and I hadn't quite anticipated this - prepared me for the rejection of my work. Job well done.

The Journey Continues
My manuscript must go out into the world again, a wiser woman. I certainly had to kiss a few frogs before I found my prince and the same may be true for her, or maybe not. Maybe Prince/Princess Charming (I can see this metaphor becoming problematic) is just around the corner. We shall see. All I know for sure is that I am one step closer to finding the perfect agent and that, for me, is a great result.





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The Fun Bit

It's official. The 'tricky middle bit' is over and I'm into the fun bit. My characters have led me away from my original plan just enough to make me take notice and now, we're scampering hand in hand towards the finish line. I love it!

Trumpet Blowing
In case you were wondering why I'm so full of myself, I've just had a perfect writing day. Three thousand words of - and please forgive the lack of modesty here - bloody genius writing have travelled smoothly from brain to keyboard. Don't worry, cynics, I am not completely loopy: I know that when it comes to editing my 'genius writing' I will find all kinds of ways to pull it apart but, for now, I'm jolly pleased with it.

Online Fridge
Novel-writing is not blog-writing. It is oodles of fun but a lot more work. Everything must be edited and given very serious thought at some point in the process. This little blog, however, contains the random drivel that is in my head when I reach the keyboard. I am not too fussed about grammar or spelling. I am not too fussed - obviously - how many sentences begin with 'I'. It is a diary of sorts - a little jotter pad of notes about the process of getting books from my brain to a bookshelf. It is an online fridge upon which the notes to myself, pinned up with magnets, are displayed to all interested parties. Nothing more sophisticated than that. Writing a novel, however, is hard work. Most of the time, it is a matter of pinning your butt to a chair and staring at a screen for a given number of hours or words a day whether you want to or not. This is why, when a day like today comes along and the words just float through you it is time for a celebratory cuppa and a long 'well done, you genius' bath.

My first rejection still has not arrived. I only pledged monogamy until January but it's a great agent so I might give them a bit longer before I go tarting my manuscript around elsewhere. Maybe I'll leave it for a couple of weeks and see how much writing I can get done in that time. Wonder if I can finish the novel by mid-January. Surely not. Maybe though... I'll give it a go.
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Gawd Bless Us...Every One

The 'gawd bless us every one' turkey was a huge success. What it lacked in stature it made up for in taste and, thanks to the festive soup and some homebaked cheesy-nibbly-things and straight-from-the-bread-machine bread, nobody went hungry. Frosty the Fan Oven did splendid work after the electrician chap came out and declared that the previous electrician chap had connected it wrong. A couple of minutes of tinkering and Frosty was Toasty once more. Hubby escaped the grips of man-flu just in time for Christmas, the parental units were jolly and we had a festive truffle of a day.

So, with stockings packed away, my thoughts bungee back to writing. There is still no word from the agent but January is only a couple of days away now so I am excited. I promised not to approach anyone new until January so I have only a few days to wait before I can send off the manuscript to the next few on my list.

Can't wait to get back into the old writing routine. January and February are going to be great. I don't expect to emerge from my writing room at all until my first draft is buttoned up. Maybe I'll break in a new candle to celebrate. By the end of the first week, I will have waded through the tricky middle section of the novel and be scampering down the hill towards the finish. Love this bit!

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The First Week

It's the end of my first week as a blogger and it's gone quite well. The blog's up. I've blogged every day. I've put up some gadgets and I've even earned myself a follower. It has been refreshing to sit down and write whatever stream-of-consciousness nonsense came to mind without worrying too much about grammar, style and what-not so I think I'll keep at it. From now on though, maybe I'll blog every week or just when really substantial things happen because that countdown gizmo is scaring the whatnot out of me and I am horribly aware that I need to get a move on with my novel if I hope to hit my deadline. The 'writers write' thing (first post) is nagging at me. If I want to be a successful novelist, I need to be disciplined about my deadlines - even if they are just B.S. self-imposed ones.

So, thanks for reading this far. Please click 'follow this blog' and I'll be back when there is something interesting to report - or in 2009 - whichever comes sooner.

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Mid-Book Crisis!

It's that middle bit again. I wondered why I was in such a state. Have a look at my first post if you're not sure what I'm on about. That middle bit is a pain in the rear.

Yesterday, my Writing Spa Day was moving along well until I sat down and tried to tweeze a chapter out of my brain. At this point it became clear that something was wrong. I never need to tweeze chapters out of my brain unless...unless...it's the middle of the bloody novel isn't it? Why yes, it is. Grrrrr! Unwilling to admit defeat, I pulled out my plan for the novel and attempted to shoe-horn my characters through the right doors and into the right conversations but they simply wouldn't play by the rules. Their petulance sloped off the page like goo from a bled radiator. It was cruddy writing. Unwilling to let go of the reins, I tried harder and it got worse so finally I just let them do what they wanted and things got interesting.

Plot Renaissance
It turns out that the characters don't want to go madly off piste, they just want me to revive an idea I had in the very early planning stages of the novel - an idea I had when writing my first novel in fact. The moment I started to write it down, my characters came back to life, the dialogue snapped back into place and I was rolling. I'm not sure if I'm quite past the annoying mid-book crisis stage yet - I've got to get all the characters back on board - so I'm going to stop setting myself 4,000 word a day deadlines because it's just not going to happen for a few days. Instead, until January, I'm going to try 1,000 words a day. Not only that, but I'm taking Christmas Eve, Christmas Day and Boxing Day off. I'm such a rebel! By then, I should be over the tricky bit and I'll be in the magical zone of '4,000 words a day? That's nothing. I did 5,000 today.' Fingers crossed.

Man-Flu Update
Hubby's man-flu has got uncivilized. He's getting through environmentally destructive quantities of tissue paper. I've been coughing and spluttering too but my body seems to be fighting it off. His folks are still coming over tomorrow although I'm fairly sure that neither of us will be great company and Frosty the Fan Oven is still giving the freezer a run for its money so I've no idea what we will be eating.

Will you Help?
A few hundred more words, and endless housework, to do before the end of the day so I'd better get on with it. Hope you like the little gadgets I've put up on the blog. I plan to put an acknowledgement at the front of my first novel when it's published to thank everyone for promoting this blog and my book so if you'd like to be one of them, just copy a banner and link back here so I can spread the word.

Ta Muchly x

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Writing Spa Day

Today is my Writing Spa Day - give or take - I've got to get some chores done but other than that, the day is my own. Hubby is braving the world and carrying his man-flu out with him where it will roam free amongst the locals and move in with them all in time for Christmas. This makes him, momentarily, not my responsibility so I can focus on other things. Time for me and my guru to snuggle up together in my writing space and get some chapters down I think.

A Writing Spa Day is an immersion experience. The idea is to be surrounded by writing; so I won't leave my writing space for most of the day. My main goal is to finish some of my book and get into a slightly obsessive state about it so that I continue to write through Christmas and don't just forget about it until a couple of days before my self-imposed deadline in February. I also plan to read some writing magazines I bought with the clothes budget, prepare a competition entry or two and watch some relevant telly. It's research! I will be watching as a writer not a couch potato.

Competitions
I write competition entries every month. I never send them. Well, that's not true actually, I sent one last year and won, which was a nice surprise. I never write them planning to send them anywhere - I can't afford the postage and entry fees for one thing - I write them to tone my writing muscles. I write all sorts of stuff: poems, short stories, biographical pieces, children's stories. It makes my writing fresher when I go back to my novel.

On an ideal Writing Spa Day, I drive to the local library, throw loads more books than I could ever read into a cloth bag and drive home feeling virtuous but I'm feeling a bit run down today so I might just stay at home and make use of what I have to hand.

Pressure's Off
The oven may be broken for Christmas but at least I now have a 'Plan B' - my folks have said we can go over there and cook. Not sure quite how this will work. Does that mean we're hosting Christmas at their house or just that we're bringing the Turkey and doing all the work? I'm sure all will become clear on the day. Who cares? There will be an oven, a turkey, a table and smiling people. That's Christmas sorted. I've been thinking about those poor people at Woolworth's who lost their jobs just before Christmas. How depressing is that? At least a bunch of people I love will be around a table somewhere and one way or another the 'gawd bless us, every one' turkey will be consumed. Also, I can stop feeling guilty about pasting the in-laws' chicken dinner to my manuscript (see earlier post) as the oven is broken so it has to be soup or nothing. Hurrah!

The morning's getting old. Time to light a Cafe Au Lait candle, grab a cup of tea and spa myself silly. Luxury!

R.W.

P.S. There are some extra bits and bobs up now for you to look at, including the countdown for my self imposed novel deadline. It says '1 months' because someone programmed it that way so please ignore that bit. Not much time left now. Tappetty-tap.
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The Pen is Mightier Than the Oven

The moment I declared that I would write 4,000 words yesterday I knew something would happen to knock me back down to earth. Of course I managed fewer than 2,000. I have a delicious excuse, however. It is nearly Christmas and, for the first time, the clan is descending upon us and our new abode. The turkey has been ordered. It will cost the entire week's food budget. Times are hard and much rides on the perfectly roastedness of our 'Gawd bless us - every one' festive bird. This is the point at which our oven breaks.

Frosty the Fan-Oven

We bought the cheapest oven. We had to. We'd just moved to the first place we'd rented that didn't have an oven... or carpet... or curtains. It was an expensive time and we are povs - a temporary state I hope but a state none-the-less - and as such, we couldn't afford an all-singing, all-roasting oven but we thought, or at least we suspected, that even with a humble price tag an oven would still be able to cook. We were naive. I see that now. A cheap oven will warm your food for a while, then go on strike. In two months, it has broken twice. Will it be able to roast a turkey? What do you think? Much of my time between now and then has been spent on the phone to the shop, supplier, electrician etc begging for a box full of turkey-roasting heat by Christmas Day. The rest of the time has been spent mopping the brow of Hubby who arrived home last night with man-flu.

Non-Stick Flapjacks
Fortunately, the slow cooker had just delivered the latest of my home made soups so we can still eat. The flapjacks I had planned to put in the oven fared less well. The hob still worked and I was very enthusiastic in my attempts to 'bake' on it but we ended up with a kind of clumpy granola and the pan lost some of its non-stick. Still, broken granola-flapjacks and non-stick flakes made a fine supper (Hubby refused soup and insisted it was kept back until Christmas Day, in case the oven isn't fixed.)

I can see my parents' faces now when, the first time we host Christmas, they are presented with a delicious bowl of festive chicken and vegetable soup. Gawd bless us - every one!

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From Post Office to Publisher

Waiting for the First Reply

Well, it's been a couple of days since I handed over my words to the chap at the post office. The agent will definitely have received them by now. I wonder if the envelope has been opened yet...intriguing...

Wonder who will read it first? I have read all the usual horror stories about manuscripts being returned unread. I believe that, actually: I worked as a casting agent for a minute or two in the nineties and actors' letters were constantly being thrown away unread. I hope someone does read it though: I took the postage out of the food budget. My in-laws are coming over for roast chicken and I've stuck their chicken dinner to an envelope - monetarily speaking. I hope they will forgive me if I bung something cheap into the slow cooker and light some festive candles.

Writing in the Freezer

I'm quite excited to receive my first rejection letter actually. I hope it will have loads of handy suggestions in it. I'm leaving my manuscript with this first agent exclusively until next year when I'll start sending it out to all the suitable agents I can find. My printer is almost out of ink though so I'm hoping for some cash from rels at Crimble so I can buy ink and stamps. We can afford to keep the house heated until mid-January so it would be great to get some good news by then: I don't mind taking money out of the food budget for stamps but after a brush with hypothermia last month I'm too much of a wimp to steal from the heating budget too. I'm just going to have to get really good really quick: it's the only affordable option!

Jilly's Jolly

Wouldn't it be great if there were no rejection letters at all? I can hardly allow myself to imagine such a world. I spoke to Jilly Cooper about preparing myself for this bit of the journey: the bit where you send out millions of manuscripts and receive millions of rejections and she looked at me as if I were potty. She said that I will be published immediately and then said some really sweet things about why that may be the case... modesty forbids. She's nice like that. It would be wonderful if she were right though.

From what I gather, the important bit with an agent is that they know their stuff, love your work and you get along swimmingly so maybe rejections aren't a bad thing after all because they just help you cross people off the list and get closer to your perfect agent.

Well, I'd better hop off and tap out some words. I plan to finish the first draft of my second novel by mid-February so I need to get a wriggle on. I'll try to get 4,000 words down today. Wish me luck!



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I write like
Margaret Atwood

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My debut novel
Palaces and Calluses

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