Showing posts with label publishing. Show all posts
Showing posts with label publishing. Show all posts

The Smiley Face of Publication - Update

This is what I raised. Thanks guys. 


Thanks so much to everyone who took part in my funding project over the last couple of weeks. It wasn't quite enough to get me to my target - but I'm very near it now. If you didn't help, but would like to, go along to http://bit.ly/writersandreaders - every penny helps get me closer to publication.




As I didn't quite reach my target, it throws off my timing again. I may also have to reconsider what I had planned to offer. My first run of books will need to fund any further publication, so I may just release an e-book to Kindle first time around. That way, I can monitor demand for other formats and launch those that make the most sense. It seems the most intelligent approach. I may even release only on Kindle, but run competitions where I release only 5 or 10 in another format. There's stacks of different ways to approach it. The better funded I am, the more options I have. The first book is where all the set up fees go. Once this book is out in the world, it's plain sailing for books two, three and four.


Rebecca
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Need your Help to get Book out by end of September!

Update... I'll keep updating the smiley face below as funds come in, so bookmark this post if you want to keep an eye on things. We can make this happen! Ghost-written celebrity autobiographies may have the majority of the 'traditional' market but, every true word nerd knows...

the pen is mightier than the pin-up!

Progress over the last couple of days... Thought you might like to see this. Word Nerd Army kicks butt - again! :)



3 days of pretty, let's face it, slap-dash fundraising and I'm aleady 3/4 of the way there. Writers... are you watching this? Publishers don't run the show any more. Readers do. :)


The original message (before updates above):


Hi everyone. Lovely weather we're having. Look. I'm going to get to the point. I want this book published. It looked likely to happen, then my computer caught a virus and died so I had to buy another computer. Bang went my publishing budget. My goal has always been to get the novel published before the end of September this year. I need your help.


I won't go into tiny details about everything - they're in the announcement at the bottom of the page - all I will say is thank you to those of you who decide to help me reach this dream. I will do everything I can to help other writers when I'm published. You know this. I will also return this favour for other writers when I have the funds to do so. There are other options for funding I can use if this doesn't work, but wouldn't it be great if we were all part of this? Wouldn't it be great to bring this into the world together? 


If I manage to do this under budget, I will use left over funds for things like buying books to send to book bloggers - something that is beyond my reach as an authorpreneur - and buying books I can sign and give away in contests to my followers online.


What do you say? Can you spare a few pennies to get this book into the world? Anything you can spare will help. If you can't spare anything at all, I understand that. If you see an ad I put out on Twitter, and it looks interesting, click on it rather than working out the original URL - I'll make a couple of cents. It's only a couple of cents, but it's something. 


I'll put up the smiley face to let you see how close I am to getting the book out. It looks a bit grim right now, but I only started fund-raising today. It'll grin more as time goes on.


Thanks guys :)


Rebecca






For obvious reasons, refunds can't be given,
 so don't donate money you can't afford 
to give away. Feel warm fuzzies regardless of
the size of your donation though. You're very kind.
Thanks.

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Brontësaurus and the Publishing Curs


Vid by Phil Lord and Chris Miller


Publishing was never easy. Gawd love America for uncovering this hidden slice of Brontë history. 
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Publishing is Dead... Or is it?



If you like this post, or blog, please share it. Thank you.
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10 Easy Steps to Becoming a Published Writer



If you like this, please tell your friends.  Thanks.  :)
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Big Announcement - Book on its Way!

Time to fess up.  I made a decision a few months ago - round about October or November - that I would self-publish.  It wasn't a new idea.  It was Plan A back in 2006, but I wanted to snoop around the traditional publishing world first, to see what was on offer.  The idea of my writerly self and my entrepreneurial self being let loose on the same project excited me.  As the new and shiny world of e-publishing got newer and shinier, I lusted after it even more.  When I pulled together statistics about the earnings of traditionally published writers, and the time-frame for publication, the shininess of the alternative was almost blinding, and I gave in to my guilty longing to be an indie author.  


I sent out some missives.  'Dear ***, Thank you for considering my manuscript but I am no longer seeking representation.  Yours etc...'  It was unexpected - and flattering - to be challenged on this, but I stood by my decision.  Brave or idiotic?  Too soon to say.

There are so many reasons behind this choice.  Some are general and others are personal to me.  It certainly is not the path for everyone, and there is much work to be done that I could have avoided if I chose the traditional route, but I am learning every day.  I planned to keep it to myself until the last second but then I realised I'm cheating everyone out of the journey.  The blog is From Brain to Bookshelf, after all.  Any advice on ISBNs, etc would be very gratefully received.

The first bound galley is on its way here.  Doubtless, there will be much editing to do when it arrives.  The cover is complete, but I need to see how it looks on the physical book, and I have a book vid!  Wanna see?



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Who's Steering this Thing?

This year has been intriguing.  A year or so ago, we all had a rough idea what the book industry was.  In fact, the premise of the blog I set up a year ago was that my words would eventually end up on a bookshelf.  As I gave my blog a make-over today I was aware of this.  How likely are my books to end up on a bookshelf now?  It is by no means certain that actual, physical books will be made from my words.  They could become best selling novels and never go near paper.  With every month, it is more clear to me that writers are not the only ones fumbling through a maze whilst wearing a blindfold: everyone is doing it.  



Readers are confused.  One minute, books were physical things.  The next minute, you could download PDFs for free - or for pennies.  Suddenly, ebooks can sell for as much as, or even more than, physical books.  I laughed at the idea of paying $75 for an ebook the other day, when I saw it being discussed on Twitter, only to be pulled up by someone who had thought nothing of spending $150 on one.  Meanwhile, independent shops have been forced out of towns by big book stores and they, in turn, are now being forced out by supermarkets and Amazon.


Ah... Amazon.  How convenient it is.  I love Amazon - there's even a little carousel of wonderful writerly things I lust after at the bottom of this page - but I am a little startled by their newest offer.  It is something wonderful for writers: utterly liberating.  We can finally grab our careers by the lead and march them through the park of profitable endeavour.  That said, it is a cloudy day for publishing.  What am I on about?  Well... you know that writers can now self-published through Amazon?  Their very generous royalty calculations have just exploded.  30-ish% is now 70%!  A fair share for writers will be exchanged for a fair price for readers and exclusivity to the Kindle.  Is this the best thing to happen for writers and readers in an age?  Should we all buy Kindles and publish our books with Amazon?  What would that do to publishers and book shops? How will the Apple iSlate change the literary climate?  Should we wait?  What do you think?

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I Have Been Nominated for a Twitter Oscar!

Real-Time Academy for Short Form Arts and Science Award ('Shorty')

This is a real, proper, no nonsense award and I've been nominated for it by a bunch of people, including the top magazine for writers in the UK! The people behind the award are here:http://rtacademy.org/ 

At the moment, I am in 3rd place behind multi-award winning best selling author, Neil Gaiman .

Please vote for/nominate me.  To do this, click here - http://tiny.cc/VoteRebecca and tweet a message about why I should win.  Look at what others have said if you need an idea what to write. It needn't be anything amazing but to qualify as a proper nomination/vote it has to be something.  In only 7 votes time I will be in 2nd place but this will get very competitive. It's a big award with a ceremony in New York and everything so what I really need you to do, if you feel you can, is to blog about it.

I am very close to getting published and this could tip me over the edge.  You are the best friends and supporters I could hope for in the online world and I know you'll help.  Thanks in advance. 

Rebecca
 


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Simon & Schuster UK - A Publisher Needs your Help!

Hi Chaps!

Pedamundo greetings aside, business hats on. There is currently a 'land grab' going on in the world of Facebook. Google 'Facebook land grab' for relevant info. Long story short, a very fine publisher on my side of the pond needs 1000 fans on Facebook to secure their own special bit of Facebook land. Whether you feel a UK publisher can help you or not, this is a great little bit of publishing karma and it will surely be returned to you in abundant book sales at a later date.

Up for the challenge? How cool would it be if we were able to do this just with our own network? (What a great thing for us all to be able to tell publishers too...) Obviously, if you're on Facebook, follow them by becoming a 'fan' but also put the link on your sites, blogs, twitter etc and tell everyone with even the slightest interest in books/writing to do the same. This is the link:
http://bit.ly/PeKrv

Oodles of love,

Rebecca

P.S. I got my name in the Facebook land grab! If you're on there, look me up.
http://facebook.com/rebecca.woodhead
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Cheeky, Chirpy and Slightly Bad

I've been a bit naughty today.

  1. I did no work
  2. I've spent most of the day exchanging cheeky banter with publishers and journalists

Can't help it. It just happened. There's a feeling that I should be in some kind of well-behaved hibernation while I await the decision of the agent but I'm rebelling. For one thing, the agent in question is lovely so I'm fairly sure - regardless of their eventual decision over my writing career - they wouldn't want me to stop living for the next 5+ weeks. For another thing,the publishers and journalists are lovely too and I like having little chats with them. They know lots about the things I love and are great chat-ologists. Why do I feel guilty?

I think there's a deeply felt concept that agents, publishers and others in positions of authority are either out to get writers or are simply unapproachable but is this true? Probably not. Authors are supposed to fall into the same category and yet today I received a very lovely email from one of my favourite authors, Joanna Trollope.

It's a contentious suggestion but maybe they're all just people too. What do you think?


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Only Two Days and a Few Hours!

I'm starting to wish I hadn't made this deadline public. Had to really though didn't I? It helps to know there is a literary mob waiting to beat me up verbally if I don't stick to the plan :)

Am I going to make it? Of course. I'll make the deadline because I always do. Never quite sure how it happens but it does. The question is: will I make it?

A number of publishers have been jolly nice to me of late and that's surely no bad thing but it's not necessarily more than a pleasant thing either. If my work isn't up to standard then no amount of friendly chat will save it from the bin.

Is it? My work, I mean, Is it good enough?



The Hoops

So far I've jumped through the following hoops:

1/ Learnt English

2/ Had car accident, fallen into coma, emerged from coma unable to speak

3/ Learnt English again

4/ Got Degree in English

5/ Did lots of research about publishing and novel writing

6/ Written novel

6/ Written sequel

7/ Set up online presence

8/ Built up following of writers, readers, publishers, agents, editors and other media people and a couple of celebrities

9/ Got feedback on my writing from best selling authors

10/ Edited both books. Re-edited first book.

11/ Got agent.

Ha! Fooled you! Didn't get to point 11 yet. This is the bit I'm scared about. The rest of it was in my control but the next bit is not. It's a big, black hole of potential disappointment.

Over the last year, I've taken to reading a few novels by authors doing very well in the 'contemporary commercial women's fiction' category - which is where I think my two books would fall. Some of their work has been great but on more than one occasion I've stared at a page for many minutes, unable to go on, thinking:

'What? That's not right! How on earth did they manage to get THAT published?'

There is one book in particular that sold incontinently well and I could not get past the first chapter for months because of one horrible sentence. It was just ghastly. I'd love to quote it in all its ghastliness as I'm sure you'd agree but it wouldn't be fair to the author so I won't. The thing is that I know this author would have no problem churning out this substandard level of text for huge sums of money for the rest of their life. Maybe their own sense of pride in their work will cause them to improve but even if that doesn't happen, publishers will be happy to continue publishing them.

That isn't something I'd want. I want to be REALLY good. My dream is to find an agent and publisher that take me on because they believe in my work but they won't let me submit anything sub-standard. Even when it becomes really sale-able I wouldn't want someone 'blowing smoke up my ass' as I think you say in America. I desperately want to find a group of people I can work with to get the best possible work published as commercially as possible. Will it happen though? Have I done enough to help it to happen?

The last few years have been intolerably hard for many reasons and it has been a real work of determination to get these books written. There have been times when we've gone without food or without warmth so that we could afford the electricity for me to get words on a screen or the ink to get words on paper. My husband has put as much into these books as I have. Maybe that's why I'm freaking out a bit at the moment. If I don't get published, I'm not the only person I am letting down.

Part of me thinks that I have done as much as I possibly can to give my work the best chance of success but another part of me wonders if that could ever be the case. Is there something I missed? What else needs to happen before Monday to help my words onto the bookshelves at Waterstones?


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The Village Alchemist By Rebecca Woodhead

Molly Smithson had always been a tuning fork for gossip, with every newsworthy whisper that reached her environs tuned to the perfect pitch for the next recipient. Of late, Molly had refined this craft with such expertise that she had graduated from tuning fork to Gossip Alchemist.


As Molly strode to the village shop, down narrow streets that wound between the cottages of Uppish-On-The-Wold, she pounced with panther-like stealth on all her fellow villagers to devour the latest news. Although they all complained about her nosiness, the twinkly blue eyes that peered out from behind dark lashes had a way of pulling news out of them. Specks of gossip flew towards Molly like metal filings to a magnet and, in no time at all, she had smelted them down and turned them into pure gossip gold.

On a sunny morning in early June, Molly was in the queue at the shop counter. Her basket was packed with biscuits, milk, cake and other tea-related paraphernalia for a gossip she had planned with Hetty Barboury-Bassett from the next village. Molly could not be doing with loose leaves and teapots but she had made sure to pick up the Earl Grey and Darjeeling tea bags. She did not want ‘Posh Hetty’ to think she only drank ‘builder’s tea.' Just as she was counting out her pennies, ready to move to the front of the queue, she overheard two people near the Cornish Pasty and sausage roll fridge whispering. She pricked up her ears.

‘No Gerald,’ said a female voice, ‘she won’t be able to stop here long enough. William and Harry are at the Royal South West on Saturday. They’ll need to get home.’

Molly gasped. The Royal South West was a huge country show. She knew Zara, the cousin of the royal brothers, had competed there in the past and the two princes were known to attend almost every year. It couldn’t be true, but it must. Princes William and Harry were coming to the duck race on Saturday before they went to the show. Just as Molly thought she could not be more excited, she remembered another part of the conversation. There was a ‘she’ in the sentence that had been whispered with such reverence. Who could it be but...

‘The Queen!’ Molly blurted as she reached the counter.

‘Pardon?’ asked the shopkeeper.

Molly looked around. The two others had left.

‘You’ll never believe it Mr Stafford. Something amazing is happening this weekend.’

‘The duck race? Well, it’s nice and all but it happens every year Love.’

‘Yes it does. It does. That’s why she is honouring us with her presence no doubt. The duck race is important to the community. It is a symbol of all it means to be British.’

‘Well, now, you’re pushing it there. It’s some plastic ducks and a stream. It’s for the kiddies.’

‘Yes it is. It’s for the kiddies, as you say. It’s our way of sharing the village with the next generation and that’s why the village is now so important to the people at the top of the country.’

‘People at the top? What are you blathering about now Molly? You mean the politicians? Do you not watch the news? My Council Tax is a blooming scandal. Why would they care about a duck race?’

Molly sighed with impatience. Usually she had a bit of time to spin an elegant tale and she felt the gilt was wearing off her golden gossip.

‘Not the politicians Mr S. The Queen.’

‘What?’ Mr Stafford looked rattled. ‘This weekend?’

‘The very same.’ Molly smiled as her gossip hit the bullseye.

‘But why? Who said?’

‘It’s very hush-hush. I heard it from a reliable source. It is being whispered that both the princes will be here too: William and Harry!’

‘The young princes? In Uppish-on-the-Wold? Would they come into the shop do you think?’

‘They might. In fact, they will. We should have a big party. I’ll organise it.’

No sooner had Molly left the shop than Mr Stafford had the ‘back in five minutes’ sign up on the door as he searched through the old boxes in his storeroom for the strings of bunting he had saved from the Queen’s Silver Jubilee in 1977. They’d enjoyed a brief dusting off for the village Millenium party but this time he planned to give the bunting a really good clean. The Queen was coming to Uppish-on-the-Wold.

Mr Stafford walked through to the shop and looked at the wall behind the counter. He would move the health and safety notice and the poster urging people to buy local sausages. That would make space for a huge photo of him, the Queen and a bunting-bedecked Uppish Stores.

By the time Molly had returned to her cottage, she had already told three more villagers about the imminent arrival of their monarch. Donna Warren had a friend who was a florist. She would almost certainly provide them with some flowers and Donna’s own garden was brimming full of roses and sweet peas she could pick and bring into the street to decorate the post box and lamp posts. Hannah Burlington had already offered to bake cakes for Duck Race Day – there was no harm in her baking a few more. Mr Finch offered to bring Humbug – his old black and white cob – down from the farm. He’d throw a harness on him and polish up the old trap.

‘Her Majesty could go for a ride down the street in the trap if she wanted. It’s no Cinderella carriage but it’s good for a laugh.’

‘Absolutely,’ Molly agreed. ‘Of course both William and Harry will be here and they might want to, even if the Queen decides not to. Bring Humbug along Mr Finch.’

Duck Race Day finally arrived. The bridge over the stream where the race was to take place was covered in beautiful flowers from Donna’s garden. Her florist friend had brought in boxes and boxes of flowers which decorated everything from the telephone box to Uppish Stores. Bunting flapped joyously between the lamp posts and all along the main street, trestle tables covered with paper tablecloths were laden with cakes, homemade jams and yellow marzipan ducks. She had even invited Hetty Barboury-Bassett and her friends. She was going to be the talk of the villages for months.

Molly liked to think that she had organised the whole thing but secretly she knew that the moment word got around that the Queen and Princes William and Harry were coming to the village nothing would have stopped them putting together the best party in the county.

Lady Amsptonford was due to open Duck Race Day at ten o’ clock. Molly was desperate to see whether the Queen would be with her or not. As the Bentley approached, Molly could see only one other passenger in the back seat. The princes were certainly not there and she could not make out whether the person in the back was the Queen as she was almost completely obscured from sight by a large box on her lap.

The village was poised for their royal guest and, despite appearances to the contrary as the car parked, Mr Finch stroked Humbug’s neck in anticipation of what could be the horse’s greatest moment. The local television and radio crews positioned themselves for the big news story. Molly had been certain they would want to capture the moment so she had called them. She nodded to the school band who began to play ‘God Save the Queen’ as the rear door opened. With all cameras pointing at her, the visitor emerged from the car. It was not the Queen.

Once Lady Amsptonford had made her speech on the bridge and complimented the villagers on the outstanding displays of food and flowers, she introduced her guest.

‘It is with great excitement that I introduce a surprise guest today. Mrs Highfield is, as some of you may know, a prize-winning breeder of Aylesbury ducks and we are very grateful to her for bringing with her two of her finest to compete today. They can’t stay for long as they need to get ready for their competition at the Royal South West this afternoon but I’m sure you’ll all give a warm welcome to... William and Harry!’

Molly wanted to disappear. She felt sure that the whole village would turn on her for her mistake but instead they just laughed. Hetty patted her on the back ‘daft old mare’ she said to her friend. ‘Come on, let’s race ducks’ and they threw their plastic ducks into the stream along with all the others.

In the end, Harry and William didn’t want to race. They were quite content bobbing around and quacking at the locals. Humbug was happy to ferry giggling children up and down the village, and the cakes and jams all sold out. Everyone agreed it was the best Duck Race Day ever.


When Molly next went into Uppish Stores, she couldn’t help but grin as she saw the photo behind the counter. Mr Stafford smiling proudly in front of his bunting-covered shop with William under one arm and Harry under the other.


©Rebecca Woodhead 2009

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Crossing the International Punctuation Line - Could the Wrong Punctuation Put a Full Stop to Your Dreams?

Last week, I entered the introduction of a short story into a writing competition on an American blog (didn't win but got 4 stars/'crawfish'!) I received a mini-crit which was very useful and generally positive but one thing jumped out and slapped me: punctuation.

I made it through a secretarial qualification and BA Hons degree with my current distribution of spaces and marks but I admit that I had a moment of worry. The person who graded my entry is incredibly knowledgeable and a publishing professional. She knows her stuff. Maybe I was wrong. Double spaces after full stops = bad. Double inverted commas around speech = good.

A Tale of Two Tales

I picked up the book I'm currently reading - Hotel on the Corner of Bitter and Sweet sent to me from America - and gasped. It was tricky to make out the spacing after the stops but the speech marks were twin lines. I grabbed the book I read previously - an English book. The spaces after the full stops were clearly double and the marks around speech were loners.

'Aha!' I thought (or should that be "aha"?) 'It's a cultural thing.' A bit of research online confirmed my suspicions. To add further to the international flavour/flavor of this post, the single space after a full stop, now preferred by some in America, is apparently called 'French Spacing.' Double spacing after a full stop is actually called 'English Spacing' or, confusingly, 'American Typewriter Spacing.'

There are even separate British and American rules on where to put punctuation around speech marks. I find this even more confusing and seem to jump between American and English on a regular basis. I am not using a passport to do this teleportation so I may be in breech of any number of laws - linguistic and geographical.

Do you Feel Lucky Punk-tuation?

These rules seem to be in flux and there are exceptions on both sides of the pond. Doubtless, the internet is throwing a spanner in the proverbial grammar factory and it's anyone's guess where the goalposts are - or how they're spaced. I'm all for establishing a new set of transatlantic rules for publication. The question is: are publishers? If the words are good enough, will publishers overlook eccentric spaces or is the tolerance policy zero when the spacing is double?
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First Ebury Publishing and Now Bloomsbury - The Publishers Sending me Pressies in the Post this Week

I assumed that the first time a full manuscript-sized envelope dropped through my door from a publisher it would be the manuscript of my debut novel with an 'unfortunately' letter enclosed. Not so. First, Dim Wit fell through my door from Ebury Publishing and now I await the arrival from Bloomsbury of The Guernsey Literary and Potato Peel Pie Society.

Seriously folks, get on Twitter if you want some free goodies.

Get Involved with Publishing

Obviously, I'd love you all to be telling people about my writing and blogs but I'm not the only writer on the face of the planet and we're in a recession so it's only good publishing karma to help out the authors already in print isn't it? If they do well, the publishers will do well and if the publishers do well they'll be more likely to take a punt on new writers.

The Plan

Let's harness the power of our own little networks to see how much we can move things along. It's good practice for when we all get published ourselves after all. It's all well and good for us to be navel-gazing and pondering endlessly on our would-be-author status but the fact of the matter is that some of us will be published soon *shock!* and when that happens, we'll need to know what to do next. Part of that is the business side of publishing - marketing and what-not - so let's have a go at it!

If you look at my previous post, you'll see I've started to promote Dim Wit using the hashtag #dimwit on Twitter. The people at Ebury Publishing have already put a link to that post here on the blog.

Help Yourself

This is the point where I appeal to your inner 'but-it's-a-recession-why-should-I-help-anyone-else?' brat. If you're not feeling charitable, have a moment of self-interest. They are publishers. They will be keeping an eye on how various marketing strategies are working. If, when they search for #dimwit your name comes up as a retweeter of a book they publish then maybe they'll check you out. Worth a tweet on the off chance eh?

When I've read the book from Bloomsbury, I'll put up a review and we can all do our best to spread the word. In the meantime, if you're on twitter, look up #dimwit and get retweeting. I'll put up some shorter quotes so retweeting's easier. If you're not on twitter, cut and paste the quotes from the left column and put them on your blogs and social networking sites.

All we need to do is start a bit of online chat - not tough is it? Also, don't forget Jamie (Ford.) Hotel on the Corner of Bitter and Sweet is a stupendous book and I'm loving every page of it. Jamie's already on the New York Times Best-Sellers List and published in new countries every week but still there's no publishing deal in England. We've got to turn this around. It's great that Toad sent me a copy of the book from America but I want to see it in my local bookshop and think 'that's my chum's book. Isn't it pretty?' Let's see how much of an international ripple we can create for all these authors then - when it's the turn of one of us - we'll know what we're up to.

Happy chatting!

Rebecca


Rebecca Woodhead

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How Prepared are Writers for Success?

Life in the Big Ocean

As an Author-in-Waiting the thing I am most often warned to prepare for is rejection. Every writing book or magazine maps out the hugely competitive ocean that you venture into when contemplating a swim in the waters of the fiction novel.


Evidently, agents are out to get you and publishers plan to humiliate you. It seems that everyone is looking for a reason to say 'no.' They are the sharks and you are the lowest possible bottom-feeding scum.

Logically, I know this is B.S. as the entire system is dependent upon the scum at the bottom of the food chain. Immortality of a kind may be obtainable in print but taxes aren't the only inevitable consequence of life. Sooner or later, old authors must shuffle off elsewhere and whilst a cash cow can bring in healthy numbers and column inches, a dead parrot can't attend book signings. Sooner or later, the sharks must look lower in the food chain for their next meal.

This brings me to the point of my argument. Eventually, they'll reach you. Eventually - with a bit of luck and a following wind - you'll be looking into the eyes of the sharks and weighing up their offers. This is where the story finishes right? You get a deal and it's 'happy ever after?' I'm not so sure. In my experience, failure is easy. The tricky thing in life is success.

Evolution

When you evolve from a 'would be' to an 'is,' things change. Expectations and deadlines must be met. Your ability to determine your next move becomes a thing of the past. As an Author-in-Waiting, you can dream the dream but as an Author, you must live it. The real world is never as fluid as the imaginary one. Just as there are unlimited possibilities for a story when you first start to type but the options are few when it comes to your final edit, so your options when starting on the journey towards publication stretch out before you like a never-ending red carpet but once you've been fished out of the ocean, you can only be served up to the public in a finite number of ways.

Dish of the Day

The general guidance is that you must become a brand. Your particular style of writing must be labeled. Once attached to your own name, this style is the one in which you must continue to write. You are branded 'literary', 'commercial', 'chick lit novelist', 'crime novelist' etc and that is where you must stay. There are exceptions to the rule but they are relatively few. The sharks want their brands and you must become one.

Welcome to the Goldfish Bowl

You want fame? Really? Why? Personally, I want to be successful. I'd love my work to be enjoyed and maybe even admired but the only fame I want is for my work not myself.

Of course, it doesn't work that way. People are interested in the people behind the books. They want to know how much of the work has come from your imagination and how much is the bubble-and-squeak leftovers of your own existence. They want to be able to say:

'You know Mr X in that novel? That was based on Mr Z from down the road.'

The idea that writing is a creative endeavour suddenly disappears once you are published. Fiction fails to exist. Everything is autobiography. Hunger for the 'real' back-story means your personal life is up for grabs. Bye bye anonymity.

Steps to Success

You can't fight all this. It's a business. It's a machine. Without the publicity, the books won't sell. Without the sales, the publishers won't survive. Without the publishers, we all have to work much harder by going the self-published route.

I can't change it, but I can prepare for it. I've thought through my good and bad points; worked out the markets on which I'm best placed to focus, and put aside pennies for an outfit for my first interview. When success and I finally meet, I'll be as prepared as I can for the next step. Will you?
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I write like
Margaret Atwood

I Write Like by Mémoires, Mac journal software. Analyze your writing!

My debut novel

My debut novel
Palaces and Calluses

My Website

My Website
All my blogs link from here

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